Eight ways companies actually use brand films
Beyond the homepage hero: launches, fundraising, sales, hiring, onboarding, events, support and internal comms — with what changes in each.
Most companies commission a brand film for the homepage and stop there. The homepage is the least differentiated use — the highest-value ones tend to be narrower, more specific, and easier to attribute. Here is the working list, with what actually changes between them.
- 01 — Product launch
- The moment you have permission to be interesting. Lead with the change, not the feature list, and keep it under 60 seconds so it can travel. The metric is shares and press pickup, not completion rate.
- 02 — Fundraising
- Investors sit through a lot of decks. Thirty seconds that make the category and the wedge obvious before slide one changes the temperature of the room. Keep it sober: numbers if you have them, no triumphal music.
- 03 — Sales follow-up
- Sent after a call, in place of a recap deck. Longer and more specific than anything public, because the audience already knows the basics and needs to explain you to a colleague who does not.
- 04 — Hiring
- Candidates choose on the work, not the ping-pong table. Show the actual problem the team is solving. This is the use case where honesty outperforms polish most clearly.
- 05 — Onboarding and education
- Replaces the walkthrough document nobody finishes. Structured by task rather than by feature, and worth splitting into several short films instead of one long one.
- 06 — Events
- A title film before a talk, or a loop on a booth screen. Designed to be legible from three metres away with no sound and half a second of attention.
- 07 — Support deflection
- The least glamorous and often the fastest payback: short films answering the questions that generate the most tickets, placed in the help centre and in-product.
- 08 — Internal communication
- Strategy that lands rather than a deck that circulates. Especially useful for distributed teams, where the alternative is everyone reading the same slides differently.
What changes between them
Three variables do most of the work: how much the audience already knows, how long you can hold them, and what you want them to do next. A launch film assumes nothing and asks for attention. A sales film assumes a lot and asks for a decision. Getting those two settings right matters more than production value.
Where to start
Pick the one with the shortest feedback loop. Support deflection and sales follow-up both produce a readable signal within weeks, and both are narrow enough to make quickly. Homepage films are the hardest to attribute and the easiest to argue about, which is exactly why they should not be your first.